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Song of Love
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Time of Beauty
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Constructivism Art
Movement
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Constructivism was an
artistic and architectural movement in Russia from 1913
onward (especially present after the October Revolution),
and a term often used in modern art today, which dismissed
"pure" art in favor of art used as an instrument for social
purposes, namely, the construction of the socialist system.
The term Construction Art was first used as a derisive term
by Kazimir Malevich to describe the work of Alexander
Rodchenko in 1917. Constructivism first appears as a
positive term in Naum Gabo's Realistic Manifesto of 1920.
The movement was formed by Vladimir Tatlin, and later
prominent constructivists included Joaquín Torres García,
Manuel Rendón, Antoine Pevsner and Naum Gabo. The basis for
the new movement was laid by People's Commissar of Education
Anatoliy Vasilievich Lunacharsky with the suppression of the
old Petrograd Academy of Fine Arts and the Moscow College of
Painting in 1918. The focus for Constructivism in Moscow was
VKhUTEMAS the school for art and design established in 1919.
Gabo later stated that teaching at the school was focused
more on political and ideological discussion than
art-making.
Kazimir Malevich also worked in the constructivist style,
though he is better known for his earlier Suprematism and
ran his own competing group in Vitebsk. The movement was an
important influence on new graphic design techniques
championed by El Lissitzky.
As a part of the early Soviet youth movement, the
constructivists took an artistic outlook aimed to encompass
cognitive, material activity, and the whole of spirituality
of mankind. The artists tried to create art that would take
the viewer out of the traditional setting and make them an
active viewer of the artwork. Most of the designs were a
fusion of art and political commitment, and reflected the
revolutionary times.
The artists of the movement were influenced by, and used
materials from, industrial design such as sheet metal and
glass. Often these materials were used to create geometric
objects.
The canonical work of Constructivism was Tatlin's proposal
for the Monument to the Third International (1920) which
combined a machine aesthetic with dynamic components
celebrating technology such as searchlights and projection
screens. Gabo publicly criticized Tatlin's design saying
Either create functional houses and bridges or create pure
art, not both. This led to a major split in the Moscow group
in 1920 when Gabo and Pevsner released the Realistic
Manifesto that asserted a spiritual core for the movement.
This was opposed to the utilitarian and adaptable version of
Constructivism held by Tatlin and Rodchenko. The
Constructivists main political patron was Leon Trotsky but
after 1921 his support began to decline - the Communist
Party could not afford to support a pure art movement, and
as early as 1918 Pravda had complained that government funds
were being used to buy works by untried artists. To distance
themselves from Gabo, Tatlin and Rodchenko began to use the
term Productivism.
In 1921, a New Economic Policy was set in place in the
Soviet Union, and Rodchenko, Varvara Stepanova, and others
made advertising for commercial enterprises. The poet-artist
Vladimir Mayakovsky and Rodchenko worked together and called
themselves "advertising constructors". Together they
designed eye-catching images featuring bright colors,
geometric shapes, and bold lettering. The lettering of most
contructivist designs is intended to create a reaction, and
function on emotional and substantive levels.
A number of Constructivists would teach or lecture at the
Bauhaus, and some of the VKhUTEMAS teaching methods were
taken up and developed there. Gabo established a version of
Constructivism in England in the 1930s and 1940s that was
taken up by architects, designers and artists after World
War II (see Victor Pasmore), and John McHale. Joaquin Torres
Garcia and Manuel Rendón were monumental in spreading the
Constructivist Movement throughout Europe and Latin America.
The Constructivist Movement had an enormous impact on the
modern masters of Latin America such as: Carlos Merida,
Enrique Tábara, Aníbal Villacís, Theo Constanté, Oswaldo
Viteri, Estuardo Maldonado, Luis Molinari, Carlos Catasse,
and Oscar Niemeyer, to name just a few. See also
Constructivist architecture.
In the 1980s graphic designer Neville Brody used styles
based on Constructivist posters that sparked a revival of
popular interest.
Deconstructivist architecture by architects Zaha Hadid, Rem
Koolhaas and others takes constructivism as a point of
departure for works in the late 20th and early 21st
centuries. Zaha Hadid in her sketches and drawings of
abstract triangles and rectangles evokes the aesthetic of
constructivism. Though formally similar, the socialist
political connotations of Russian constructivism are de
emphasized in Hadid's deconstructivism. Rem Koolhaas'
projects recall another aspect of constructivism. The
scaffold and crane-like structures represented by many
constructivist architects, return in the finished forms of
his designs and buildings.
Artists Associated with Constructivism
* Ella Bergmann-Michel - (1896-1971)
* Norman Carlberg, sculptor (1928 - )
* Carlos Catasse - (1944-Present)
* Theo Constanté - (1934-Present)
* John Ernest - (1922-1994)
* Naum Gabo - (1890-1977)
* Moisei Ginzburg, architect
* Gustav Klutsis - (1895-1938)
* El Lissitzky - (1890-1941)
* Ivan Leonidov
* Louis Lozowick
* Berthold Lubetkin
* Estuardo Maldonado - (1930-Present)
* Vladimir Shukhov - (1853-1939)
* Konstantin Melnikov - (1890-1974)
* Vadim Meller - (1884-1962)
* John McHale - (1922-1978)
* László Moholy-Nagy - (1895-1946)
* Tomoyoshi Murayama - (1901-1977)
* Victor Pasmore - (1908-1998)
* Antoine Pevsner - (1886-1962)
* Lyubov Popova - (1889-1924)
* Manuel Rendón Seminario - (1894-1982)
* Aleksandr Rodchenko - (1891-1956)
* Oskar Schlemmer - (1888-1943)
* Varvara Stepanova - (1894-1958)
* Enrique Tábara - (1930-Present)
* Vladimir Tatlin - (1885-1953)
* Joaquin Torres Garcia - (1874-1949)
* Vasiliy Yermilov - (1894-1967)
* Alexander Vesnin
* Aníbal Villacís - (1927-Present)
* Oswaldo Viteri - (1931-Present)
Constructivism (art). (2006, November 25). In Wikipedia,
The Free Encyclopedia. Retrieved 23:00, November 26,
2006, from
http://en.wikipedia.org/w/index.php?title=Constructivism_(art)&oldid=89973059 |